- Hold LOAD, turn encoder to preset 8 '16tap Beat', push encoder to load.
- Press ROUTING+CONFIG, set routing to DLY only.
- Press EDIT, then GROOVE TYPE button; turn encoder to 'Hard Swing'.
- Press GROOVE AMT button; turn encoder to ~70 (strong swing).
- Press TAP#, then PAN red button; set odd taps hard left, even taps hard right for L/R scatter.
- Patch external clock (0–5V square) to Rainmaker CLK (delay) — TEMPO is overridden.
- Patch synth/drums to IN L.
- Patch OUT L to mixer L, OUT R to mixer R.
- Set DRY/MIX to ~1 o'clock (mostly wet) so the groove is audible.
16-tap stereo spectral rhythm delay and 64-tap comb resonator. Each tap: level, pan, 2nd-order filter, granular pitch shift, detune. 16 groove patterns and comb modes (Fibonacci, Karplus, Uniform) enable modal synthesis.
Patch Ideas · 10
- Press ROUTING+CONFIG, set routing to CMB only.
- In the Comb section, press TAPS+FB once then press again to reach FEEDBACK config; turn encoder to 'Guitar'.
- Press CLK SRC; turn encoder to '1V/OCT' so COMB SIZE tracks pitch.
- Turn COMB FEEDBACK knob to ~90% (long ringing decay, just under runaway).
- Patch sequencer Gate to ENV Trig.
- Patch Noise to VCA In, ENV Out to VCA CV — short bursts are the excite signal.
- Patch VCA Out to Rainmaker IN L.
- Patch sequencer Pitch (1V/oct) to Rainmaker 1V/OCT jack.
- Patch Rainmaker OUT L and OUT R to mixer.
- Set DRY/MIX full CW (fully wet — you want the string, not the click).
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- Press EDIT, then GROOVE TYPE; turn encoder to 'Straight' for an even grid.
- Turn DELAY FEEDBACK knob to ~9 o'clock (low — you want each cascade to die before the next hit).
- Press TAP# (red EDIT/TAP# button). Press PITCH SHIFT red button.
- Select tap 1 (blue button), turn encoder to 0 semis. Tap 2 = +1, Tap 3 = +2 … Tap 16 = +15 (per-tap range is -16 to +15).
- Tip: push the encoder once to access ramp presets — 'Rising' sets all 16 taps to a ramp automatically.
- Set each tap LEVEL equal (press LEVEL button, set all to ~24).
- Patch source (pluck, vocal, drum) to IN L.
- Patch OUT L and OUT R to mixer.
- Set DRY/MIX to ~1 o'clock (mostly wet).
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- Press TAP#, then TYPE red button; set every tap TYPE to 'BP' (bandpass).
- Press Q red button; set every tap Q to ~12 (high resonance, just below self-oscillation).
- Press CUT red button; set taps to a harmonic series: tap 1 ~100Hz, tap 2 ~200Hz, tap 3 ~300Hz … tap 16 ~1.6kHz (use the display readout).
- Press PITCH SHIFT, set all taps to 0 semitones (no transposition).
- Press PAN; sweep pans evenly 7L → 7R across taps 1–16.
- Press LEVEL, set all taps equal (~24).
- Patch voice/pad to IN L.
- Patch OUT L / OUT R to mixer.
- Set DRY/MIX to 12 o'clock for a resonant halo over the dry source.
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- Press ROUTING+CONFIG three times to reach TRIGGER MODE; turn encoder to 'Randomize'.
- Press EDIT, then RAND button; turn encoder to destination 'Tap Pitch Shifts' (only pitches get randomized).
- Turn DELAY FEEDBACK to ~11 o'clock for a tail that carries between randomizations.
- Press EDIT, then GROOVE TYPE; turn encoder to 'Early Reflection' (sparse, reverb-like).
- Patch your ambient source (pad, field recording) to IN L.
- Patch a clock divider set to every 4 bars (≥+1V pulse) to Rainmaker TRIG.
- Patch OUT L / OUT R to mixer.
- Set DRY/MIX to ~1 o'clock so the wet bed dominates.
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- Press ROUTING+CONFIG; turn encoder to 'L:DLY R:CMB' (left input → delay → OUT L; right input → comb → OUT R).
- In the Comb section press TAPS+FB twice and set FEEDBACK config to 'Guitar' (Karplus).
- Press CLK SRC; set to '1V/OCT'.
- Turn COMB FEEDBACK to ~85% for a singing string.
- For the delay side, press EDIT then GROOVE TYPE; pick 'Swing'. Turn DELAY FEEDBACK to ~11 o'clock.
- Patch drum loop to IN L (delay side).
- Patch excite noise/pluck to IN R (comb side).
- Patch sequencer Pitch (1V/oct) to Rainmaker 1V/OCT.
- Patch OUT L and OUT R to mixer (stereo split).
- Set DRY/MIX to 12 o'clock.
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- Press ROUTING+CONFIG three times to TRIGGER MODE; turn encoder to 'Freeze'.
- Turn DELAY FEEDBACK to ~2 o'clock (high — the frozen loop regenerates).
- Press EDIT, GROOVE TYPE; choose 'Straight'.
- Patch source to IN L and start playing.
- Tap Rainmaker's big red TRIGGER button (or send a manual gate to TRIG) on the moment you want to freeze.
- Patch a slow bipolar LFO (±5V, 0.05–0.3 Hz) to PITCH SHIFT CV — the global pitch shift sweeps all 16 taps ±2 octaves.
- Patch OUT L / OUT R to mixer.
- Set DRY/MIX full CW for all wet so only the melting buffer is heard.
- Tap TRIGGER again to unfreeze and grab a new slice.
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- Press ROUTING+CONFIG three times to TRIGGER MODE; turn encoder to 'Gated Reverse'.
- Press EDIT, GROOVE TYPE; choose 'Early Reflection' (sparse, reverb-like spread).
- Turn DELAY FEEDBACK to ~12 o'clock (several audible laps).
- Press EDIT, REVERSE+WET/DRY — make sure WET/DRY (internal delay mix) is ~12 o'clock.
- Patch drum to IN L.
- Patch the drum's trigger output (or a gate from its envelope) to Rainmaker TRIG. Gate HIGH = reverse, LOW = forward.
- Patch OUT L / OUT R to mixer.
- Set global DRY/MIX to ~1 o'clock.
- Play the drum pattern — each hit leaves a reverse-swell trail into the next.
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- Press EDIT, then TAP STACK button (labelled PILES on panel, renamed to STACK in v1.05 firmware).
- Turn encoder to set STACK = 4 across taps (or press to configure stacks individually).
- Set the four stack pitch offsets to 0, +4, +7, +12 semitones (major 7 chord).
- Press EDIT, GROOVE TYPE; choose 'Straight'.
- Turn DELAY FEEDBACK to ~10 o'clock (a couple of chord cascades before decay).
- Patch a mono VCO/voice to IN L.
- Patch OUT L / OUT R to mixer.
- Set DRY/MIX to ~1 o'clock.
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- Press ROUTING+CONFIG; turn encoder to 'DLY+CMB' (parallel sum).
- Press EDIT, GROOVE TYPE; choose 'Roller Coaster'. Press GROOVE AMT; set to ~50.
- Press EDIT, TIME MOD WAVE; turn encoder to 'Triangle'. Press TIME MOD LEVEL to ~5; press TIME MOD RATE to a slow setting (~0.1 Hz).
- In the Comb section, press TAPS+FB; set #taps to 32. Turn COMB FEEDBACK to ~40% for modal body.
- Tap TEMPO button three times to set beat time — yellow LED flashes at beat.
- Patch percussion to IN L.
- Patch Rainmaker's CLK output to an external ENV's Trig input — external voice is now locked to Rainmaker's delay beat.
- Patch OUT L / OUT R to mixer.
- Set DRY/MIX to 12 o'clock.
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Behaviors
16 time-delayed taps, each with independent level, pan, 2nd-order filter (LP/BP/HP/None), granular pitch shift ±16 semitones, and fine detune. Taps sum into stereo output — a full granular/spectral delay in one module.
Straight, Swing, Hard Swing, Reverse Swing, Alternate Swing, Accelerando, Ritardando, Waltz, Half Swing, Roller Coaster, Quintuple, 3× Uniform Random, Early/Late Reflection. GROOVE AMT blends between Straight and selected — 0=even, 100=full groove.
Each tap can become a chord of multiple pitched copies at one time slot. Create four-note harmonized echoes or simulate a chord on every delay tap. Combine with pitch ramp for arpeggiated stacks.
Plays the delay buffer backwards through the tap structure. Combine with long delay times and pitch shift for spectral reverse-reverb trails.
Separate 64-tap delay line summed for comb/reverberation effects. Active tap count adjustable 1–64. 16 tap patterns (Uniform, Flat Middle, Early Comb, Fibonacci, Flat Comb, Late Comb, Rev Fib, Ess, plus 8 randomized variants).
Comb section emulates plucked strings. Short input bursts excite the comb; 1V/OCT input tracks pitch. Feedback config changes timbre: Guitar (exponential averaging, no nonlinearity), Sitar (comb size modulated by rectified input — curved-bridge effect), Clarinet (odd-harmonic nonlinearity in feedback path — hollow/squarewave character), Raw (tap 64 fed directly back, no filter or nonlinearity).
DLY→CMB: delay feeds comb (serial). CMB→DLY: comb feeds delay. DLY+CMB: parallel sum. L:DLY R:CMB: stereo split — mono delay left, mono comb right.
Freeze, Reverse, Randomize, Delay/Comb Mute, Delay/Comb Bypass, Ping Input, Shaped Pulse, Toggle Ping-Pong, Gated Freeze, Gated Reverse, Preset Load, Clear Buffer. Trigger jack assigned to one mode at a time.
Randomize only selected parameter set: groove times, tap mutes, levels, pans, filter cutoffs, Qs, types, pitch shifts, detunes, all taps, all delay, all taps+delay, all comb, all delay+comb, all, or random-of-above. Surgical generative variation.
Dedicated LFO modulates delay tap time. Waveforms: Sinusoid, Triangle, Vibrato 1, Vibrato 2, Down Chirp, Up Chirp, Random. LEVEL sets modulation amplitude · RATE sets period (Hz display).
Selects which of the 16 taps feeds back to input. Different tap choice changes the rhythmic regeneration interval — short tap = fast flutter, long tap = slow looping echoes. SLIP offsets fractional timing.
128 non-volatile slots, all overwritable. Factory-filled with presets 1–69 + 82–128 named (Krellverb, Karplus, Spiral, AllTapz, Alienizer, etc.); slots 70–81 ship blank for your own patches. Presets 82–128 were designed by Richard Devine. MIDI SysEx export/import.
Controls
| Rhythm delay | DELAY FEEDBACK | Amount of selected tap fed back to input. Passes through tone filter and pitch shifter before returning. 0–unity · per-tap FB selectable |
| Feedback / global | PITCH SHIFT | Global pitch shift added to all 16 delay taps and to the feedback path. Dead zone at 12 o'clock. ±2 octaves · affects all taps |
| Feedback path | FEEDBACK TONE | 1st-order tone control in the feedback loop. CCW = lowpass · CW = highpass. LP/HP morph · affects regeneration |
| Comb resonator | COMB SIZE | Delay time of the 64th (longest) tap. Defines the comb's fundamental frequency when used for Karplus-Strong resonance. Selectable source: knob, clock + DIV, or 1V/OCT. Source = CLK SRC setting |
| Comb resonator | COMB FEEDBACK | Amount of tap-64 signal fed back to input for resonating comb effect. High values produce sustained Karplus-Strong strings. Adjustable · feedback filter + nonlinearity applied |
| CV assignment | MOD A / MOD B | Two assignable modulation knobs with jacks. Each scales CV sent into its MOD input and either offsets or overrides the chosen MOD destination. Destinations selected via MOD DEST menu. MOD A normals to MOD B when B unpatched · 30+ destinations |
| Global output | DRY / MIX (WET) | Wet/dry balance at the main OUT L/R jacks. Analog mixer — not digital. Dry to wet · analog crossfade |
| Delay timing | TEMPO | Tap-tempo button. Sets beat time from tap rhythm (3+ taps). Overridden by external CLK input. Yellow LED flashes at beat time |
| Trigger action | TRIGGER (big red) | Fires the assigned trigger operation: randomize, freeze, reverse, ping, mute, bypass, shaped pulse, preset load, clear buffer, etc. Operation set via ROUTING+CONFIG. 15+ trigger modes |
| Utility | CLEAR | Clears delay and comb memory — kills persistent echoes or overloud feedback. Press-and-hold or momentary |
| UI mode | EDIT / TAP# | Toggles between EDIT mode (global rhythm delay parameters) and TAP# mode (per-tap parameter editing). The 16 blue buttons switch roles accordingly. EDIT = global · TAP# = per-tap |
| UI | Rotary encoder | Turn to adjust selected parameter value. Push for alternate behaviours: RAND execute, PING-PONG toggle, RAMP presets, preset save/load confirm. Push-encoder · context-dependent |
| EDIT mode | Global param buttons (RAND / TAP GRID / STACK / CLK TIME / CLK DIV / TIME MOD WAVE/LEVEL/RATE) | Select global rhythm delay parameters for editing with the encoder. Includes randomization destination, tap grid/stacks, clock time/div, and time modulation LFO (wave, depth, rate). Upper blue button row |
| EDIT mode | Per-tap buttons (QTY / SIZE / TAP# / SLIP / PITCH / TYPE / AMT / REVERSE+WET/DRY) | Second button row selects grain quantity/size, feedback tap number, feedback slip, feedback pitch/detune, groove type, groove amount, and reverse/wet-dry. Groove = 16 preset rhythms |
| TAP# mode | TAP EDIT buttons (MUTE / LEVEL / PAN / CUT / Q / TYPE / PITCH SHIFT) | Red button row selects which per-tap parameter is displayed/edited across all 16 taps. PITCH SHIFT press-twice reveals DETUNE (<0.5 semitone). Per-tap: 32 LEVEL steps · -16/+15 semis pitch |
| Rhythm delay | FX ON / MUTE (Delay) | FX ON toggles delay effect bypass (red LED = active). MUTE mutes the delay input — continues to regenerate existing material. Red + black button pair |
| Comb resonator | FX ON / MUTE (Comb) | FX ON toggles comb bypass. MUTE mutes the comb input. Red + black button pair |
| Comb editing | Comb buttons (PATT+SLOPE / SIZE MOD WAVE/LEVEL/RATE / TAPS+FB / CLK SRC / CLK DIV / SIZE) | Select comb parameters: tap pattern (Uniform/Fib/Flat/Karplus etc.), #taps, feedback configuration (Guitar/Sitar/Clarinet/Raw), clock source and division, and comb size modulation. 16 comb tap patterns |
| Utility (red) | Routing + Config / Meters + Gain / Save / Load | Routing selects DLY→CMB, CMB→DLY, DLY+CMB, or split L-dly/R-cmb. Config sets input mode and trigger operation. Meters+Gain monitors 8 signal levels. Save/Load handles 128 presets. 128 non-volatile preset slots |
I/O
IN · 13
- IN L -5V to +5V (atten at 12 o'clock = unity for 10Vpp) CLKLeft audio input
- IN R -5V to +5V AUDIORight audio input. Depending on input mode: stereo, summed to mono, or independent.NORM → IN L when in MONO L input mode
- DELAY FEEDBACK CV 0–10V CVCV input for rhythm delay feedback (attenuator)
- PITCH SHIFT CV 1V/oct or ±5V CLKCV for global delay pitch shift. Accepts 1V/oct — sets feedback pitch. Square wave overrides TEMPO to set DELAY CLOCK TIME.
- FEEDBACK TONE CV 0–10V CVCV for tone filter (LP/HP morph)
- TRIG trigger/gate GATETrigger input — fires assigned trigger operation (randomize, freeze, reverse, ping, etc.)
- CLK (delay) 0–5V square CLKExternal clock for delay — feeds CLK TIME when CLK SRC is set to clock input
- CLK (comb) 0–5V square CLKExternal clock for comb — sets comb size with DIV
- 1V/OCT 1V/oct CVPitch CV for COMB SIZE — linear pitch control of comb fundamental (Karplus-style)
- COMB SIZE CV 0–10V CVCV offset for comb size
- COMB FEEDBACK CV 0–10V CVCV for comb feedback amount
- MOD A 0–10V CVCV for assignable MOD A destination
- MOD B 0–10V CVCV for assignable MOD B destinationNORM → MOD A when B unpatched
OUT · 3
- OUT L -5V to +5VMain left output — analog mix of input and processed signal
- OUT R -5V to +5VMain right output
- CLK 0–5V CLKSquare wave at rhythm delay beat time. Use to clock external modules in time with delay.