Links

Mutable Instruments 4HP

Three-in-one utility: buffered 1:3 multiple, precision 2:2 adder/multiple, and 3:1 averaging mixer. DC-coupled throughout, accepts audio rate, 0.1% resistors on the adder for note-CV transposition duties.

Patch Ideas · 5

Split pitch to three VCOs
Sequencer pitch CV → 1:3 IN · three OUTs → V/Oct of three VCOs for a detuned unison or stacked intervals · since 1:3 is buffered with 0.1% precision, all three stay in tune after hours without the usual passive-mult sag.
Show diagram
Patch diagramPatch diagram with 5 modules and 4 connections. Modules: Links, Sequencer, VCO 1, VCO 2, VCO 3. Signals: 4 pitch.LinksSequencerVCO 1VCO 2VCO 31:3 IN1v/oct1:3 OUT 11v/oct1:3 OUT 21v/oct1:3 OUT 31v/octPitch1v/octV/Oct1v/octV/Oct1v/octV/Oct1v/octpitch
Keyboard transposes a sequence
Sequencer pitch → 2:2 IN A · keyboard CV → 2:2 IN B · 2:2 OUT → VCO V/Oct · the 2:2 adder sums them exactly, so playing a C on the keyboard shifts the running sequence up by a fifth to the ear · unplug keyboard to return to original pitch.
Show diagram
Patch diagramPatch diagram with 4 modules and 3 connections. Modules: Links, Sequencer, Keyboard, VCO. Signals: 3 pitch.LinksSequencerKeyboardVCO2:2 IN A1v/oct2:2 IN B1v/oct2:2 OUT1v/octPitch1v/octCV1v/octV/Oct1v/octpitch
Three-oscillator drone mix
Three VCOs tuned to root, fifth, octave · each into 3:1 IN 1/2/3 · 3:1 OUT → filter → output · averaging keeps the sum below clipping; raise output volume at the mixer downstream · ideal for drone voices built from raw oscillator outputs.
Show diagram
Patch diagramPatch diagram with 6 modules and 4 connections. Modules: Links, VCO 1, VCO 2, VCO 3, Filter, Filter (In) -> Output. Signals: 4 audio.LinksVCO 1VCO 2VCO 3FilterFilter (In) -> Output3:1 IN 1audio3:1 IN 2audio3:1 IN 3audio3:1 OUTaudioSawaudioSawaudioSawaudioInaudioaudio
Modulation averaging
Three slow LFOs at different rates → 3:1 · output becomes a compound modulation that never repeats · 3:1 OUT → filter cutoff · the averaged CV stays centered (sum of three bipolar sources averages toward zero) unlike a unity summer which accumulates.
Show diagram
Patch diagramPatch diagram with 5 modules and 4 connections. Modules: Links, LFO 1, LFO 2, LFO 3, Filter. Signals: 4 cv.LinksLFO 1LFO 2LFO 3Filter3:1 IN 1cv3:1 IN 2cv3:1 IN 3cv3:1 OUTcvOutcvOutcvOutcvCutoffcvcv
Five-way buffered pitch mult
Sequencer → 1:3 IN · take three buffered copies · route Sequencer also into 2:2 IN A (leave IN B unpatched) · 2:2 gives two more precision copies · total five in-tune pitch CVs from a single Links · use for stacked VCO rig or sending the same pitch to multiple quantizers/shifters.
Show diagram
Patch diagramPatch diagram with 7 modules and 7 connections. Signals: 7 pitch.LinksSequencerVCO 1VCO 2VCO 3VCO 4VCO 51:3 IN1v/oct2:2 IN A1v/oct1:3 OUT 11v/oct1:3 OUT 21v/oct1:3 OUT 31v/oct2:2 OUT A1v/oct2:2 OUT B1v/octPitch1v/octV/Oct1v/octV/Oct1v/octV/Oct1v/octV/Oct1v/octV/Oct1v/oct11. IN B unpatchedpitch

Behaviors

Precision 1V/oct distribution note CV into 1:3 IN

The 1:3 buffered multiple is designed for splitting a pitch CV across multiple VCOs without tuning drift. Passive stackcables and unbuffered mults can slump at the third tap; Links preserves the voltage identically at all three outputs.

Precision adder / transposer two note CVs into 2:2

0.1% resistors make the 2:2 section a precision summer: sequencer CV into IN A plus keyboard CV into IN B gives a transposed sequence at OUT. Unlike many mixers, the unity gains are exact — musical intervals stay musical.

1:2 mult via unused input 2:2 IN B left unpatched

When only IN A is patched, the 2:2 section becomes a buffered 1:2 multiple (two identical copies of IN A). Combined with the 1:3 section, one Links gives 5 buffered copies of a single note CV.

Averaging prevents audio clipping three oscillators into 3:1

The 3:1 section applies a gain of 1/3 per input. Three full-scale VCOs sum to full scale at the output — no soft-clip, no distortion, no attenuators needed upstream. The trade-off is 9.5dB less gain than a unity-gain mixer.

DC-coupled across all sections modulation or pitch signals through any section

Every section is DC-coupled. CVs, LFOs, envelopes, and audio all pass without filtering. The averager works equally well as a 3-source CV mixer (three modulations combined into one control voltage) as it does as an audio bus.

Controls

I/O

IN · 6

  • 1:3 IN DC-coupled · audio rate OK · 1MΩ input impedance AUDIO
    Input to the buffered multiple. Signal is duplicated with no voltage drop across three OUT jacks.
  • 2:2 IN A DC-coupled · 100kΩ input impedance
    First input of the precision 2-in summer. Summed with IN B with unity gain on each.
  • 2:2 IN B DC-coupled · 100kΩ input impedance
    Second input of the precision 2-in summer. Leave unpatched to use the section as a 1:2 multiple of IN A.
  • 3:1 IN 1 DC-coupled · 100kΩ input impedance
    First input of the 3-in averaging mixer. Signal contributes with gain of 1/3 to the sum.
  • 3:1 IN 2 DC-coupled · 100kΩ input impedance
    Second input of the averaging mixer. Contributes 1/3 to the sum.
  • 3:1 IN 3 DC-coupled · 100kΩ input impedance
    Third input of the averaging mixer. Contributes 1/3 to the sum.

OUT · 3

  • 1:3 OUT (×3) unity gain · DC-coupled
    Three identical buffered copies of the 1:3 IN signal. Low offset error — suitable for splitting 1V/oct to multiple VCOs.
  • 2:2 OUT (×2) A + B · unity gains · DC-coupled
    Two identical copies of the sum of 2:2 IN A + IN B. 0.1% precision resistors preserve pitch accuracy.
  • 3:1 OUT (A+B+C)/3 · DC-coupled AUDIO
    Single output carrying (IN 1 + IN 2 + IN 3) / 3. Averaging prevents clipping when mixing modular-level audio.